2 Comments

Announcing the 2nd Disability in Film Blogathon!

A few months ago, I mentioned to someone with whom I was having a debate on Facebook that I was disabled. (I was born with Ehlers-Danlos Syndrome, a congenital connective tissue disorder.) He immediately dismissed everything I said because I was a “welfare recipient.” Obviously, the fellow was a dunderhead. He didn’t seem to understand that not all disabled people receive disability payments. I don’t; I’m certain Larry Flynt doesn’t. Even if we did, disability payments are not welfare. Even if they were, that wouldn’t automatically negate a disabled person’s opinion. Clearly, this fellow held a belief that disabled people are a drain on society and that they are of lesser worth than their able-bodied peers. I could dismiss the fellow’s reaction as being that of an ignorant fringe-dweller, but his attitude toward disability, while extreme, isn’t an outlier.

Although disability is common in society—about one in five Americans report having a disability—we’re more likely to encounter disability in film than in real life. I’ve seen far more deaf people, blind people, and mobility-impaired people in movies than I’ve met in real life, and I would bet that my experience isn’t uncommon. Our understanding of disability often comes from cultural products than from real life. How these cultural products present disability is vital, then, to how real-life disabled people are viewed and treated.

The Disability in Film Blogathon covers portrayals of disability in film and television, including physical impairments, developmental disorders, traumatic brain injuries, and speech disorders. (It does not cover mental illness—that’s a whole topic to itself. Nor does it cover terminal illness—the focus of the film or television program should be on living with disability, not on mortality.) Also allowed are the stories of performers with disabilities. Other topics related to disability in film and television are allowed as well—for example, the issue of able-bodied performers playing characters with disabilities or a discussion of the fact that performances of disabled characters are often given awards.

The blogathon will run from 24 October-26 October 2018, in honor of National Disability in Employment Awareness Month. As there are plenty of topics from which to choose, no more than two entries on the same topic will be allowed.

The Rules in Brief:

1) Entries must cover some topic related to disability in film, excluding mental illness or terminal illness.

2) No more than two entries per topic.

3) Blogs may post up to three entries.

4) No old posts. All entries must be newly posted.

5) To express your interest in participating in the blogathon, leave a comment on my blog, along with the name and URL of your blog, and the subject you wish to cover, or you can always register by email at: robinpruter@gmail.com. For those of you who wish to register by email, please be sure to include the name and URL of your blog, and the topic you wish to cover.

6) Posts must feature one of the banners below and a link back to the blogathon post on either Pop Culture Reverie or this year’s co-host, In the Good Old Days of Classic Hollywood.

Entries:

Pop Culture Reverie: The Sessions, The Lookout

In the Good Old Days of Classic Hollywood: The stars who stuttered, The Spiral Staircase (1946) and TBD

The Stop Button: My Left Foot

Cinematic ScribbingsImmortal Love

Banners:

Advertisements
1 Comment

Santa Clarita Diet; Review by Robin Franson Pruter

Premiered 3 Feb 2017
Created by Victor Fresco

Starring Drew Barrymore, Timothy Olyphant, Liv Hewson, and Skyler Gisondo

My rating:  ★★★1/2 stars

Killer comedy is an acquired taste.

Continue Reading »

Leave a comment

Savages (2012); Review by Robin Franson Pruter

Originally released 6 July 2012
Written by Shane Salerno, Don Winslow, and Oliver Stone
Directed by Oliver Stone

Starring Blake Lively, Aaron Taylor-Johnson, Taylor Kitsch, Salma Hayek, Benicio del Toro, and John Travolta

My rating: ★★1/2 stars

Ultra-violent tale of people reduced to their worst selves by competition in the drug trade.

Continue Reading »

1 Comment

Prey (1998); Review by Robin Franson Pruter

Originally aired 15 Jan 1998 – 9 Jul 1998 (ABC)
Created by William Schmidt

Starring Debra Messing, Adam Storke, Frankie Faison, Larry Drake, Vincent Ventresca, and Roger Howarth

My rating:  ★★★1/2 stars

A series ahead of its time.

Continue Reading »

1 Comment

Murder with Mirrors (TV Movie); Review by Robin Franson Pruter

Originally aired 20 February 1985
Written by George Eckstein
Directed by Dick Lowry

Starring Helen Hayes, Bette Davis, John Mills, and Tim Roth

My rating: ★ 1/2 stars

Dull adaptation of weak Christie novel.

Continue Reading »

1 Comment

Does The Royals Need to Go Away?

I enjoy The Royals. It’s unabashedly trashy, soapy TV fun. In the world of Peak TV, not everything has to be chasing critical acclaim or reshaping the boundaries of the medium. A show that revels in its tawdriness is a refreshing change of pace.

The show follows the hijinks of the fictional British royal family, the Henstridges, led by the fierce, Machiavellian Queen Mother, Helena (Elizabeth Hurley). The heart of the series is the romance between wild child Princess Eleanor (Alexandra Park) and royal bodyguard Jasper (Tom Austen). They’re young, they’re attractive, and Park is clearly the breakout star of the show. They have a fandom portmanteau name “Jaspenor” that even made it into an episode of the show.

The problem arises from the couple’s origin dating back to the first episode. At first, Jasper seems like a nervous bumbler ready to be steamrolled by the out-of-control princess. After a wild night in Paris, the two wake up in bed together. Eleanor proceeds to dismiss him. But he reveals that he drugged her and filmed her having sex with him and threatens to release the tape if she doesn’t do what he says.*SCREECH* What????!!!!  I’m not going to quote a definition of date rape here; I hope most people will know that the scenario just described fits the definition perfectly without my putting in the effort of cutting and pasting. If any readers don’t know that already, trust me—it does.

Over the next few episodes, he continues to blackmail her into having sex with him. *Pause to settle acid reflux* Then, he develops feelings for her and admits he doesn’t really have a sex tape. He lied about that part. And, apparently, he lied about drugging her too. She had sufficiently drugged herself so that he didn’t need to make a contribution to her intoxicated state. Apparently, this confession is supposed to lessen our feelings of disgust at his behavior. Perhaps, I should cut and paste that definition of date rape to the writers after all. Having sex with someone so intoxicated that they* don’t remember what happened the next day is date rape. Blackmailing someone into having sex is rape, too. Coercive sexual encounters are rape whether the force used is physical, chemical, or something else.

And, yet, I continued to watch the show. Even more bizarrely, despite my recognition of an abusive relationship based on rape, I actually began shipping the couple. I consider myself a good feminist, so shipping Jaspenor was a source of great internal conflict. It’s like my love of McDonald’s Quarter Pounders. I know they’re bad for me, but I don’t want to give them up. Much credit has to be given to Park and Austen for winning the audience over.

As the series has progressed, Jasper and Eleanor has become the focus of fan support. Most of the promotional materials for the series mention the couple. Clearly, a happy ending for the two has become the endgame for the writers.

At least, the relationship is no longer based on rape. Jasper has reformed his rapey ways to the point of becoming subservient to Eleanor. He has been forced to prove himself worthy of her time and again. At the beginning of Season Four, he even gets shot in service to the royal family. After his stay in the hospital, Eleanor prepares a joint bedchamber for the two with pillows monogrammed with “J” and “E.”

The last time the couple’s problematic origin was mentioned was early in Season Three when Eleanor was having trouble writing Jasper a letter and mumbled that she didn’t remember their first meeting (as she was too drugged). The series has never used the “r word” to describe the couple’s early encounters. While this lack of acknowledgement makes it easier for the audience to forget the couple’s beginnings, it’s more problematic than tackling the issue openly and honestly.

I would like to tell myself that it’s only a show and to watch it with no qualms. But it’s not. Last fall, during the wave of Hollywood sexual harassment and abuse accusations, series creator Mark Schwahn was, first, accused of sexual harassment by 18 women who worked on his previous show, One Tree Hill. Alexandra Park followed with her own accusation of sexual harassment against Schwahn. Subsequently, 25 other female members of the cast and crew came forward with a statement accusing Schwahn of sexual harassment. Schwahn was then fired by Lionsgate TV, which produces The Royals.

Another series could live on with a new showrunner, but The Royals is compromised by sexual misconduct both on screen and behind it. Sexual misconduct is threaded into the series’s narrative, in the storyline of their popular, highly promoted couple. These characters can’t go away like Schwahn without substantially altering the series and upsetting the fanbase. The series wouldn’t work without Jaspenor.

The problems of The Royals are glaring in the #MeToo era, and there seems no way to ameliorate them without ending the show. Yet, putting people out of work and disappointing the fans won’t do much to further the #MeToo cause. And I don’t want it to go away. Ultimately, the decision to take the series off the air will likely have little to do with its problems with sexual misconduct and everything to do with declining ratings.

Leave a comment

Black Sails, S02E05: XIII.; Review by Robin Franson Pruter

black-sails-season-2Originally aired 21 Feb 2015
Written by Aaron & Todd Helbing
Directed by Alik Sakharov

Starring Toby Stephens, Hannah New, Zach McGowan, Toby Schmitz, Luke Arnold, Louise Barnes, Clara Paget, and Jessica Parker Kennedy

My rating:  ★★★★ stars

A shocking revelation…

Continue Reading »